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dc.contributor.authorEdeer, Semsettin
dc.date.accessioned2019-10-19T19:56:32Z
dc.date.available2019-10-19T19:56:32Z
dc.date.issued2015
dc.identifier.issn2146-7692
dc.identifier.urihttps://hdl.handle.net/11421/14979
dc.descriptionWOS: 000435156200010en_US
dc.description.abstractAbidin Dino, who believed in versatility in art, is among the leading artists of the contemporary Turkish art of painting. His art is based on thinking and the evaluation of feelings. He used techniques that are very different from each other within certain themes and performed these works in different fields. This study aims to reveal the role and importance of Abidin Dino's view on art and his works of art dealing with hands in Turkish art of painting. Within this framework, in order to clarify the subject and to make it more understandable, it was aimed to include writers', artists', researchers', and the artist's own views in the study.en_US
dc.language.isoturen_US
dc.publisherAnadolu Universityen_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.subjectAbidin Dinoen_US
dc.subjectHandsen_US
dc.subjectGroup Den_US
dc.subjectGroup Yenileren_US
dc.subjectDrawingen_US
dc.titleAbidin Dino and Handsen_US
dc.typearticleen_US
dc.relation.journalAnadolu Universitesi Sanat & Tasarim Dergisi-Anadolu University Journal of Art & Designen_US
dc.contributor.departmentAnadolu Üniversitesi, Eğitim Fakültesi, Güzel Sanatlar Eğitimi Bölümüen_US
dc.identifier.volume5en_US
dc.identifier.issue8en_US
dc.identifier.startpage150en_US
dc.identifier.endpage161en_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US]


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